|
|
| 02 // Q-Scale Analytical Profile | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| 03 // Stohlman-Bard Power Analysis | ||
|
CATEGORICAL Q-POWER INDICES
Offensive
Defensive
Omnimorphic
Intramorphic
Contrasensory
Hypersensory
Motile
COMBAT
NON-COMBAT
NO CLASSIFIED POWER INVESTMENT
|
||
Active Cost / Effect |
Classification |
Power Designation / Effect |
Offensive |
Power Chord |
|
Offensive |
Sonic Burst |
|
Offensive |
Sonic Burst |
|
Offensive |
Sopracuto |
|
Offensive |
Resonance Pulse |
|
Offensive |
Bass Drop |
|
Offensive |
Shattering Chord |
|
Offensive |
Electric Guitar |
|
Defensive |
Wall of Sound |
|
Defensive |
Sonic Shield |
|
|
|
Motile |
Reverb Leap |
Hypersensory |
Radio Microphone |
|
Hypersensory |
Ultrasonic Hearing |
|
Hypersensory |
Hearing |
|
Power Alignment Analysis |
|
The Axe of Justice |
Shifting Re-Attunement |
04 // Training, Talents & Resources |
|
English |
|
French |
|
Portuguese |
|
Spanish |
|
Criminal Culture |
|
Showbiz Culture |
|
Acoustics |
|
Superhero Community |
|
Music Theory |
|
Singer/Songwriter |
|
Professional Guitarist |
|
Crime Boss |
|
Incredible Appearance |
|
CEO of Emerald Records |
|
Fortune and Fame |
|
| 05 // Combat Doctrine | |
Acrobatic Dodge |
|
Ax Block |
|
| 06 // Operational Risk Profile | |
|
Psychological Limitation: Code vs. Killing |
|
|
Psychological Complication: Protective Of Fans And Innocents |
|
|
Psychological Complication: Showboat |
|
|
Enraged: When Guitar Destroyed or Damaged , go , Rarely, recover , Frequently |
|
|
Vulnerability: Moderate Reactivity Effect Silence or Vacuum |
|
|
Social Complication: Public Identity Very Frequently, Major |
|
| 07 // Legal / Incident Record | |
| Misdemeanors: 319 / 14 Convictions Vandalism: 86 / 16 Convictions Major Theft: 273 / 3 Convictions Simple Assault: 46 / 2 Convictions Aggrevated Assault: 13 / 0 Convictions Other Assault: 0 Kidnapping: 2 / 0 Convictions Aggrevated Kidnapping: 0 Manslaughter: 5 / 0 Convictions Felony Murder: 18 / 0 Convictions Second-degree Murder: 0 First-degree Murder: 3 / 0 Convictions |
|
| AEGIS Notations for Icarus Authorized Personnel Only Justice Melody is a sonic-energy Quasar whose abilities manifest through the generation, amplification, and manipulation of sound. Although capable of producing destructive concussive force through her own voice, she has learned to use an electric guitar as a precision focusing instrument, allowing her to shape acoustic energy with considerably greater control. Recorded applications include directed sonic blasts, sustained resonance fields, defensive barriers of compressed sound, and localized vibrational effects capable of destabilizing structures or throwing hostile personnel off balance. She has additionally demonstrated the ability to use controlled reverberation as a means of enhanced movement, propelling herself across short distances or executing unusually powerful leaps. Prior to joining Team Icarus, Justice Melody possessed a considerably less favorable relationship with both law-enforcement authorities and the organized Quasar community. Early AEGIS records associate her with criminal activity under the identity Doomsong, during which her powers were employed primarily for intimidation, theft, and destructive operations. Available evidence suggests, however, that her criminal career was never driven by ideological hostility toward humanity or Quasars. Psychological review describes an individual who became accustomed to viewing herself as dangerous and ultimately behaved according to that expectation. Her eventual break from her former associates appears to have been voluntary and has remained consistent despite multiple opportunities to return to criminal activity. The adoption of the name Justice Melody appears to have been deliberate rather than cosmetic. Subject regards her current identity as both a declaration of intent and a continuing obligation to compensate for previous actions. This occasionally produces excessive personal responsibility and an unwillingness to disengage from situations in which she believes innocent lives remain at risk. She can be confrontational when her motives are questioned and displays little patience for institutional assurances unsupported by action. Conversely, field reports consistently describe her as protective of civilians, particularly young Quasars and individuals being coerced or exploited because of their abilities. Within Team Icarus, Justice Melody functions most effectively as a battlefield-control and support combatant. Her ability to erect sound barriers, disrupt groups of opponents, and rapidly alter the tactical environment makes her particularly valuable during civilian evacuations and containment operations. She possesses sufficient offensive capability to engage heavy Quasar threats directly but has demonstrated a marked preference for disabling op |
|
Back to Team Icarus |
|
